一个长达五分多钟,在福建省一个超大型的工厂内拍摄的移动镜头,揭开了 Jennifer Baichwal的纪录片《人造风景》(Manufactured Landscapes)的一系列动人心魄的景观。她跟随以拍摄工业风景著名的摄影师Edward Burtynsky,深入到中国福建的工厂区和回收工业垃圾的乡村工场、四川境内的三峡大坝、天津的煤矿基地、上海的新富人家和穷困弄堂,还有孟加拉国的拆船厂,在纪录Burtynski的工作的同时,发展出另一条交织着强烈的伤痛情怀和批判精神的叙事线索。
Panel: Urban Reflections
Co-presented by Mongrel Media
Photographer Edward Burtynsky, filmmaker Jennifer Baichwal and and Chinese artist, filmmaker and cultural critic Ou Ning will participate in a panel and presentation examining urban developments in China as the country is irreversibly transformed by economic and industrial growth.
All three artists have documented the transformations: Burtynsky with his majestic and haunting photographs of contemporary development in China; Baichwal as she followed the photographer in her award winning film Manufactured Landscapes; and Ou Ning in his documentation of poverty and change of his own country through such works as Borders, Illegal Zones, and Urban Villages, a montage of three genres of space that proliferate in contemporary Shenzhen as a result of its unique history as China's most productive special economic zones.
Panelists: Edward Burtynsky (photographer), Jennifer Baichwal (filmmaker), Ou Ning (filmmaker and cultural critic).
一个长达五分多钟,在福建省一个超大型的工厂内拍摄的移动镜头,揭开了 Jennifer Baichwal的纪录片《人造风景》(Manufactured Landscapes)的一系列动人心魄的景观。她跟随以拍摄工业风景著名的摄影师Edward Burtynsky,深入到中国福建的工厂区和回收工业垃圾的乡村工场、四川境内的三峡大坝、天津的煤矿基地、上海的新富人家和穷困弄堂,还有孟加拉国的拆船厂,在纪录Burtynski的工作的同时,发展出另一条交织着强烈的伤痛情怀和批判精神的叙事线索。
Photographer Edward Burtynsky, filmmaker Jennifer Baichwal and and Chinese artist, filmmaker and cultural critic Ou Ning will participate in a panel and presentation examining urban developments in China as the country is irreversibly transformed by economic and industrial growth.
All three artists have documented the transformations: Burtynsky with his majestic and haunting photographs of contemporary development in China; Baichwal as she followed the photographer in her award winning film Manufactured Landscapes; and Ou Ning in his documentation of poverty and change of his own country through such works as Borders, Illegal Zones, and Urban Villages, a montage of three genres of space that proliferate in contemporary Shenzhen as a result of its unique history as China's most productive special economic zones.
Panelists: Edward Burtynsky (photographer), Jennifer Baichwal (filmmaker), Ou Ning (filmmaker and cultural critic).[/color][/quote]